The Pittsburgh Press (February 17, 1943)
Roving Reporter
By Ernie Pyle
With U.S. forces in North Africa – (Feb. 16)
Four good soldiers, who have already done more than their share in the war have been down in these parts lately. They are Kay Francis, Martha Raye, Mitzi Mayfair and Carole Landis.
Some people may take lightly the contributions of Hollywood folks to the war effort, but I don’t. These gals work themselves to a frazzle. They travel dangerously. They live and work under mighty unpleasant conditions. They don’t get a dime. They are losing a lot and they have nothing to gain – nothing material, that is. But surely, they are going home with a warm inner satisfaction, knowing that they have performed far beyond the ordinary call of duty.
The quartet of stars has been away from America since October. They flew the Atlantic by Clipper, toured the camps in Northern Ireland and England, and came to Africa by Flying Fortress. They have heard bombs fall, and they know about Army stew. They’ve averaged four hours’ sleep a night. Each of them has had a bout with the flu. They have done all their own washing, because there’s no other way to get it done. Yet they could all be in California lying on the sand.
When they came out to our far desert airdrome, they put on their performance on the flat bed of a big wrecking truck out in the midafternoon sun, surrounded by soldiers sitting on the ground. They spoke the first English from a woman’s mouth these soldiers had heard in months. To say they were appreciated is putting it mildly.
Half the fun and half the good, I suppose, of such a performance is the opportunity it gives the soldiers in the audience to imagine themselves as great lovers, and the inspiration it provides for the soldiers’ own brand of humor.
Kay Francis starts it off by saying they’d rather be here than any place in the world. That brings a thunderous cascade of boos. Then she says:
The reason is there’s no place else we could be the only women among several thousand men.
That brings the laugh. Then she says:
And I know every one of you would protect me, wouldn’t you?
That brings the “Oh yeahs!” and yells and whistles of appreciation.
When Carole Landis comes out, something like a great sigh goes over the crowd. Carole, as you know, is rather voluptuous. As she finishes her song and holds out her arms, a pathetic, wracked voice comes from the far edge of the audience, a lonely guy screaming to the world his comical misery:
I can’t stand it!
Mitzi Mayfair wears a skimpy green spangly thing and does her famous dances. A couple of dozen soldiers are perched on the truck’s big steel boom above her, and every time Mitzi kicks, they pretend to swoon and fall off. Mitzi ends her act by calling for jitterbug volunteers. The boys are bashful, but finally a private is pulled down off the boom. He is no slouch as a jitterbug, but she almost dances him off his feet. She winds up by throwing the exhausted soldier over her shoulder and carrying him off the stage.
Sometimes Mitzi gets herself in a pickle with this stunt. One night in England she had to carry off a guy who weighed 225 pounds. Another time she sprained a shoulder. And in her second performance at this airdrome, she almost met her Waterloo.
This show was for flying officers, the ones who actually do the bombing and fighting, and there’s nothing bashful about them. When Mitzi called for volunteers, up rose Capt. Tex Dallas, a Fortress pilot who doesn’t give a damn about anything. Tex took off his coat, folded it neatly, and walked challengingly onto the stage. Mitzi whispered instructions to him, but Tex doesn’t follow instructions very well. Instead of pretending to be exhausted, he had Mitzi on the ropes within a minute. After chasing her around the stage he finally had her hiding behind the piano. The audience went wild.
Eventually, after poor Mitzi had given herself up for lost, Tex relented and let her carry him off the stage.
I’ve seen Mitzi dance in New York musical comedies, and now I’ve seen her dance in dust-covered slacks on the African desert. She has already given a strenuous year and a half of her life to the war and she’s in it for the duration, and all I can say is, she’s a honey.
Martha Raye is really the star of the troupe. The soldiers have gone for her crazy brand of slapstick. The program winds up practically in a riot when all four girls sing the French, British and American national anthems.
The girls are pretty sore about one thing. It seems one of the American broadcasters in Algiers broadcast back to America that they wouldn’t go to the Tunisian front because they were afraid. He asked why they were any better than anybody else.
Actually, the girls begged to go to Tunisia but were turned down. The generals wouldn’t let them go because it would be dangerous for troops to be concentrated to see the show. Those girls were not afraid. Carole Landis even wanted to go on a bombing mission.
Personally, I think they will deserve medals.