Pop and jazz guide
Here is a selective listing by critics of The Times of new or noteworthy pop and jazz concerts in New York City this weekend, including New Year’s Eve celebrations. * denotes a highly recommended concert.
ANTIFOLK Y2K PARTY, Sidewalk Cafe, 94 Avenue A, at Sixth Street, East Village, (212) 473-7373. Ring in the new century the East Village way, at a conclave of local poets, satirists and rabble-rousers led by Lach, the man who has almost singlehandedly kept antifolk alive in the Clinton era. He will play with his new band, the Secrets; other performers include the wonderful Heather Eatman, the Humans, Joie DBG, David Gragov, the Grey Revell Band, Patsy Grace, Joe Bendik and Maj. Matt Mason U.S.A. Tonight at 8; admission is free (Ann Powers).
GATO BARBIERI QUINTET, REGINA BELLE, MIRI BEN-ARI TRIO, Blue Note, 131 West Third Street, Greenwich Village, (212) 475-8592. All gatos have a few lives, and Mr. Barbieri, the saxophonist, has had three: first as a free-jazz wailer in the early 1970s, then as the soloist on the celebrated “Last Tango in Paris” soundtrack and now as a smooth-jazz balladeer. He is on the bill with the singer Regina Belle and the up-and-coming violinist Miri Ben-Ari, whose attack is so ferocious that she may give you your necessary second wind. The first party is tonight from 7:30 to 12:30; $500 a person at the tables, including a four-course dinner, open bar and Champagne toast; or $300 per person for table seating without dinner; or $250 at the bar (minus dinner). The second show starts at 1 a.m. and lasts until whenever; the price is $180 a person at tables, without dinner and open bar, and $100 at the bar. Regina Belle performs tomorrow and Sunday night at 9 and 11:30; $45 cover with a $5 minimum (Ben Ratliff).
DAVID BERKMAN QUARTET, Detour, 349 East 13th Street, East Village, (212) 533-6212. More often than not, in clubs without a piano, Mr. Berkman reminds his audiences why the Fender Rhodes electric piano is a beautiful instrument in its own right, not just a substitute for the real thing. When he does have the real thing, he’s even better. He’s a burner in the straight-ahead jazz style, with a good debut album, “Handmade” (Palmetto), to his credit. Music starts tomorrow at 9:30 p.m.; there is no cover charge (Ratliff).
BLACK 47, Connolly’s Pub, 14 East 47th Street, Manhattan, (212) 867-3767. Black 47 plays Irish neighborhood music from the Bronx, not Dublin. Bainbridge Avenue runs through a Bronx neighborhood where new Irish immigrants meet the New York mosaic. In Black 47’s songs, jigs and reels mesh with rock and hip-hop. Music begins tonight at 10; admission is $20 (Jon Pareles).
ANGELA BOFILL, Iridium, 48 West 63rd Street, Manhattan, (212) 582-2121. The singer Angela Bofill, a virtuoso with a four-octave range, has moved in and out of jazz and pop. She lavishes lung power and ornamentation on her love songs. Two shows tonight: one at 7:30, including a three-course dinner, for $125 a person, and one at 10:45, with a four-course dinner and unlimited Champagne, for $295 a person (Pareles).
CLAUDIA QUINTET, Knitting Factory, Old Office, 74 Leonard Street, TriBeCa, (212) 219-3006. This imaginative band, led by the drummer and composer John Hollenbeck, lays vibraphone, clarinet and accordion on top of bass and drums. It’s sensitive, thinking music, continually changing shape and texture. And it’s clear that Mr. Hollenbeck’s goals lie beyond jazz, but all the same he swings, neatly and unostentatiously. Sets are Sunday night at 8 and 9:30; admission is $7, with a one-drink minimum (Ratliff).
PAULA COLE, THE ROOTS, Life, 158 Bleecker Street, at Thompson Street, Greenwich Village, (212) 420-1999. In keeping with its thriving system of hierarchical V.I.P. rooms, Life presents a three-tiered party tonight. The priciest ticket includes a buffet dinner at 6:30 p.m. and a performance by the bohemian pop-soul singer Paula Cole; $100 less gets you no chow but a 10 p.m. set by Ms. Cole. And for $125, and well worth the price, you can show up tipsy at 3 a.m. and welcome 2000 with the best live band in hip-hop (and one of the best in any genre), the Roots. Shows are at 8 and 10 p.m., and 3 a.m.; tickets are $350, $250 and $125 (Powers)
RICHIE COLE’S ALTO MADNESS ORCHESTRA, the Phoenix Room, 570 Amsterdam Avenue, at 88th Street, Manhattan, (212) 544-2210. The alto-saxophonist Richie Cole was in Buddy Rich’s big band for three years in the early ‘70s, which helped him understand jazz as a sort of perpetually exploding dynamite shed. He’s a good player, influenced by Phil Woods, and he’s been underrecognized for a few decades. Tonight: limited seating from 8 to 10 p.m.; six-course dinner plus open bar is $200, and a late-night buffet with admission to one set is $100; Champagne toast at midnight. Seating in the Cherokee Room with a late-night buffet and champagne toast for $50 is also available (Ratliff)
DEEP BANANA BLACKOUT, Wetlands Preserve, 161 Hudson Street, at Laight Street, TriBeCa, (212) 966-4225. For this big night, the team that runs Wetlands could have highlighted any number of musical styles that pass through the club, from Grateful Dead homages to neo-bluegrass, techno-tinged progressive rock or earthy hip-hop. But who could blame them for choosing a band that adheres to the fundamentals of body-shaking funk? Deep Banana Blackout is one of the Northeast’s favorite party bands, so the vibrations in the room should be excellent. With Electric Hill. Doors open tonight at 8, and music begins at 10; admission is $60 (Powers).
DR. ISRAEL, Knitting Factory, Old Office, 74 Leonard Street, TriBeCa, (212) 219-3006. The deep, leisurely bass lines of dub reggae are the foundation of jungle, which layers jittery electronic drumbeats on top of those bass lines. Dr. Israel (alias Douglas Bennett), a reggae singer, reunites the two branches of reggae’s family tree, singing uplifting messages over vertiginous grooves. Music tonight at 11; admission is free (Pareles).
EMINEM, Tunnel, 220 West 27th Street, Chelsea, (212) 695-4682. With his cutting, nasal voice, droll productions by Dr. Dre and an imagination that turns carnage into comedy, Eminem (for the initials of Marshall Mathers, his original name) was the leading bad-boy rapper of early 1999. He mocks every propriety and everyone including himself, and while he is not the most skillful rapper onstage – he needs backups to keep him somewhere near the beat – it hardly matters when his fans are eagerly shouting along. The Tunnel has also scheduled eight disc jockeys in three rooms, among them Ivan Gonzo and Eddie Baez. Doors open at 9 p.m. Tickets are $99, or $175 with open bar; the club is also offering a weekend pass for New Year’s Eve through January 2 for $150 (Pareles).
*TOMMY FLANAGAN TRIO, Jazz Standard, 116 East 27th Street, Manhattan, (212) 576-2232. Mr. Flanagan helped define an elegant postwar mainstream in jazz piano; he plays with such refinement that he makes bebop seem like a natural fit with the American song tradition. And his small-group arrangements in his longtime trio with Peter Washington and Lewis Nash are models of economy and imagination. Tonight’s first set is at 8, with a three-course dinner, for $100, or without dinner for $50; the second set is at 11, with a three-course dinner, show, party favors and dancing, for $225, or $150 for the show only. Sets tomorrow night are at 8 and 10:30, with a cover of $25 and a $10 minimum; on Sunday night, sets are at 7 and 9, and the cover charge is $18 with a $10 minimum (Ratliff).
DAVID HAZELTINE, Smoke, 2751 Broadway, at 106th Street, (212) 864-6662. This pianist plays with a cooperative quartet, including the trumpeter Jim Rotondi, the bassist John Webber and the drummer Neil Smith; they can play hard-hitting, involved music, and this new, small jazz club, frequented by students, seems like a cheerily low-key place to spend the evening. Music tonight is from 10 p.m. to 3 a.m.; there is an open bar, a raw bar with shellfish, party favors and a Champagne toast for $195. From 1 to 8 a.m., there is one more live set and a D.J. dance party for a $15 cover; early guests may stay for no additional charge (Ratliff).
JAVON JACKSON QUARTET, Sweet Basil, 88 Seventh Avenue South, near Bleecker Street, Greenwich Village, (212) 242-1785. Without staging a full-scale subversion of jazz, the tenor-saxophonist Javon Jackson makes good decisions about material and instrumentation; there might be a Hammond organ on the bandstand, and you might hear music written by Frank Zappa, Caetano Veloso or Carlos Santana. And as a soloist he is a thoughtful player, laid-back enough to savor the horn’s natural gargles. Tonight’s celebration is from 9 to midnight, with an all-inclusive dinner package for $175; the late show is from 1 to 3 a.m., with a $40 cover and a $25 minimum, including Champagne toast. Sets tomorrow at 9 and 11 p.m. and 12:30 a.m. and Sunday at 9 and 11 p.m.; cover charge is $25 with a $10 minimum (Ratliff).
BILLY JOEL, Madison Square Garden, Seventh Avenue at 32nd Street, (212) 465-6741. Billy Joel’s huge catalog of hits includes songs that touch on every idiom from doo-wop to sea chantey to bossa nova to barrelhouse pop, driven by formidable piano technique and an underlying pugnacity. He’s the bard of the suburbs, assuring fans that even if they’ve settled down they’re still rebels at heart. While he has said he’s giving up pop songwriting for instrumental music, he’ll be rolling out the hits for New Year’s Eve. Tonight at 9; tickets are $150 to $999.99 (Pareles).
KID CREOLE AND THE COCONUTS, Greatest Bar on Earth, 1 World Trade Center, lower Manhattan, (212) 524-7000. August Darnell, or Kid Creole, runs his band like a compact Broadway revue, with Kid Creole – a suave would-be Casanova who’s not always lucky – flanked by the Coconuts, who are both all-purpose temptresses and a chorus line. Long before the rediscovery of Latin rhythms, he performed as if Manhattan were the northernmost Caribbean island; more recently he has raised the quotient of funk. Music begins tonight at 10; admission is $300 with open bar (Pareles).
LI’L ED AND THE BLUES IMPERIALS, Chicago Blues, 73 Eighth Avenue, at 14th Street, West Village, (212) 924-9755. Ed Williams, or Li’l Ed, plays his blues basic and rowdy. His band stomps out Chicago blues and shuffles while Li’l Ed belts the tunes, makes his guitar squeal and slide, and jumps all over the stage. It’s primal good-time music, and once it revs up there’s no stopping it. Sunday at 9 and 10:30 p.m. and midnight. Admission is $10, with a two-drink minimum (Pareles).
JOE LOVANO TRIO, GLORIA LYNNE, Birdland, 315 West 44th Street, Clinton, (212) 581-3080. A gig not to miss, if you want to be reminded why jazz quickened your pulse in the first place. Mr. Lovano just winds up and lets his broad, powerful saxophone sound go, ripping up ballads and open-ended originals with a superb trio that includes the bassist Cameron Brown and the drummer Idris Muhammad. He’s a generous performer who gives it his all. Tonight beginning at 9; table seating $150 per person plus $25 minimum, $100 at the bar with a $25 minimum. Includes a Champagne toast at midnight. Performances tomorrow are at 9 and 11 p.m.; cover charge is $30 with a $10 minimum (Ratliff).
*MANOLITO Y SU TRABUCO, S.O.B.’s, 204 Varick Street, at Houston Street, South Village, (212) 243-4940. A top Cuban band leader with his eye on the world, the pianist Manolito Simonet has his ear to music across Latin America, from older Cuban styles like charanga (with violin and flute answering voices) to trumpet-topped Cuban conjunto to cumbia to current salsa romantica and songo. He’s a traditionalist on one song, up to the minute on the next as the singers announce his intention to reach listeners in Venezuela, Colombia, Puerto Rico and New York. Since Cuban bands play constantly for dancing crowds, Manolito y Su Trabuco (War Machine) has honed its music to keep people in motion. Tonight the club is offering packages at $95 a person (general admission after 1 a.m.), $195 (general admission after 10 p.m., with hors d’oeuvres and a Champagne toast) and $395 (including a five-course dinner and breakfast at dawn) (Pareles).
MEAT LOAF, Beacon Theater, 2124 Broadway, at 74th Street, Manhattan, (212) 496-7070. Meat Loaf recently made his latest comeback as an unhandsome character in the movie “Fight Club.” Onstage, however, he’s still applying his rock heldentenor to Jim Steinman’s proudly, campily bombastic songs about fondly remembered teenage lust and the possibility of love. Tonight at 8; tickets are $75 to $250. Tomorrow night at 8, tickets are $50 to $100 (Pareles).
BUDDY MILES, Chicago Blues, 73 Eighth Avenue, below 14th Street, West Village, (212) 924-9755. Buddy Miles was the quintessential singing drummer of the 1960s, playing in Electric Flag and then in Jimi Hendrix’s Band of Gypsies and belting a hit of his own in 1969, “Them Changes.” After some hard years, including a jail term for theft in the 1970s, he has returned to the circuit, still an exuberant singer and a splashy, hard-hitting drummer. Shows are tonight at 9:30, 11:30 p.m. and 1:30. General admission is $50; seating is $75 for the first set and $100 for the second set (Pareles).
MURPHY’S LAW, Continental, 25 Third Avenue, at St. Marks Place, East Village, (212) 529-6924. Still bratty after all these years, Murphy’s Law is one of New York’s long-running, die-hard punk bands. It shares a guitar-charged lineup with Helldorado, Candy Snatchers and Suicide King. Tonight at midnight; tickets are $30 (Pareles).
TITO NIEVES, JOSE ALBERTO (EL CANARIO), JOHNNY PACHECO, Copacabana, 617 West 57th Street, Clinton, (212) 582-2672. A salsa triple bill leans toward romance amid the rumbas, cha-chas and boleros. Tito Nieves is one of Latin pop’s longtime Romeos, promising “salsa con clase” (salsa with class). With a sincere, ardent tenor, he vows his love in Spanish or English. Jose Alberto sails above the salsa grooves with fervor and improvisations that have earned him his nickname, the Canary. The flutist Johnny Pacheco has been one of salsa’s most important band leaders since Fania Records ruled Latin music in the 1970s. Music begins tonight at 10. Table seating is $125 a person; general admission, $60; admission after 3 a.m., $30 (Pareles)
*MACEO PARKER, Irving Plaza, 17 Irving Place, at 15th Street, Manhattan, (212) 777-6800. There was a reason James Brown used to shout “Maceo!” in the middle of a funk workout. Maceo Parker was the alto saxophonist who drove the horn section in Mr. Brown’s groundbreaking J. B.’s and went on to work for George Clinton’s Parliament-Funkadelic when Mr. Clinton latched on to members of the J. B.’s. After sparking two definitive funk bands, he leads a group that knows the secrets of getting on the good foot. Special guests are also promised. Doors open tonight at 9. Tickets are $200 (Pareles).
P. M. DAWN, CRYSTAL WATERS, SUGAR HILL GANG, Shine, 285 West Broadway, at Canal Street, lower Manhattan, (212) 941-0900. Two hip-hop groups and a dance-floor diva share this triple bill. P. M. Dawn has made some of the dreamiest albums in hip-hop, combining psychedelia with a quest for Christian faith. Its music floats understated raps and Prince Be’s ethereal singing on tracks that melt in the ear. Crystal Waters brought social consciousness into discos with her 1991 hit, “Gypsy Woman (She’s Homeless),” and has since switched to singing about love and basketball. “Rapper’s Delight” by the Sugar Hill Gang, released in 1979, is the cornerstone of recorded hip-hop: just a party tune that happened to set off a musical revolution. Now the Gang has turned itself into a hip-hop oldies act, performing its own rhymes and others from back in the day. Tickets tonight are $250 to $450, including open bar from 9:30 p.m. to 2 a.m. (Pareles).
*GIL SCOTT-HERON, ROY AYERS, Cooler, 416 West 14th Street, West Village, (212) 229-0785. With assertively political poems like “The Revolution Will Not Be Televised,” Gil Scott-Heron was integral to the consciousness-raising poetry movement that was part of the roots of hip-hop and the 1990s revival of spoken-word performance. But while his convictions remain intact, he has turned from recitation to singing, slipping his ideas into easygoing jazz-funk vamps. The vibraphonist Roy Ayers has built a career on sleek pop-jazz grooves that have lately found a second life as hip-hop samples. The disc jockeys Franco and Bugaloo Mike are to fill in between sets. Doors open at 9:30 p.m.; open bar until 11. Tickets are $120 (Pareles).
*MICHELLE SHOCKED AND THE PHILOSOPHER KINGS, Bottom Line, 15 West Fourth Street, Greenwich Village, (212) 228-6300. Michelle Shocked is a radical artist, unafraid of sharing her political views and her bare emotions. She has run into trouble with the mainstream music industry, but she hasn’t quit; she just retrained her focus on the grass-roots following that got her in the first place. Now she will share the latest fruits of her unwavering work ethic: all new songs at her three performances this week, to ring in a new millennium of constructive troublemaking. Doors open tonight at 7:30 for a 9:30 show; tickets are $50 (Powers).
*SUN RA ARKESTRA WITH MARC RIBOT, Knitting Factory, 74 Leonard Street, TriBeCa, (212) 219-3006. Sun Ra’s Arkestra couldn’t be more appropriate for the first night of 2000. Its founder, who died in 1993, long ago had his eye on the future, with its 21st-century promises of space travel and interplanetary communication. The Arkestra, now led by the saxophonist Marshall Allen, is a big band that bristles with exuberant loose ends, and its sets move from barely warped swing-band arrangements to vamp tunes (like “Space Is the Place”) to squalls of free jazz. It turns typical swing-band arrangements into something richer and stranger by adding layers of dissonance and percussion that only make the music sound more joyful. The guitarist Marc Ribot, who has played with Tom Waits and Chocolate Genius, can pick through jazz changes or make his guitar clank and boing; he should be thoroughly compatible with the Arkestra. Tomorrow at 8 and 10:30 p.m.; admission is $14 (Pareles).
TIJUANA CARAVAN, Mercury Lounge, 217 East Houston Street, at Ludlow Street, Lower East Side, (212) 260-4700. Get down to the basics of rootsy funk-rock with this Philadelphia-based party band. Three sets, party favors and a Champagne toast keep the mood high. Doors open tonight at 8; tickets are $35 (Powers).
THE VOLUPTUOUS HORROR OF KAREN BLACK, CBGB, 315 Bowery, at Bleecker Street, East Village, (212) 982-4052. Punk, heavy metal and plenty of mascara add up to the Voluptuous Horror of Karen Black, a long-running punk-rock show band whose songs hark back to the Cramps and early Blondie. Kembra Pfahler, the band’s semiclad singer, makes promises like “Take my hand and you will see/What a maniac I can be.” The bill also includes Motor Betty and Probe. Music begins tonight around 10; admission is $35 the day of the show (Pareles).
DR. MICHAEL WHITE’S ORIGINAL LIBERTY JAZZ BAND OF NEW ORLEANS, Village Vanguard, 178 Seventh Avenue South, at 11th Street, West Village, (212) 255-4037. Dr. Michael White takes his chosen idiom, New Orleans jazz of the ‘20s, very seriously, and his band, nearing a decade of New Year’s shows at the Vanguard, performs lively versions of tunes associated with Louis Armstrong, King Oliver and others from the Crescent City. If the concept is strictly classical, the players have presence and nerve. Tonight doors open at 10, with a set at 11; $125 a person includes the $25 drink minimum, party favors, a New Year’s Eve T-shirt and New Orleans-style food. Sets tomorrow and Sunday are at 9:30 and 11:30 p.m., with a third set tomorrow night at 1 a.m.; cover charge is $20 with a $10 minimum. No credit cards (Ratliff).
PAUL WINTER, Cathedral of St. John the Divine, 1071 Amsterdam Avenue, at 112th Street, Morningside Heights, (212) 662-2133. In the cathedral’s annual New Year’s Eve concert, hopes for peace are expressed in New Age music with multicultural ambitions. The Paul Winter Consort plays one-world music full of reassurance, good intentions and candy-coated exoticism. It shares the stage with the African-style Forces of Nature Dance Company and with Madafo Lloyd Wilson. The concert begins tonight at 7:30; tickets are $75 to $100 (Pareles).
BERNIE WORRELL AND THE WOO WARRIORS, Grange Hall, 50 Commerce Street, at Barrow Street, Greenwich Village, (212) 924-5246. As the keyboardist in Parliament-Funkadelic, Bernie Worrell put the oozing, organic textures in the P-Funk groove machine. He can take credit for the slow-bubbling synthesizer bass lines that are still ubiquitous in hip-hop and rhythm-and-blues; he also has an encompassing knowledge of jazz, funk, gospel and rock that he tosses around lightly. Seatings tonight are at 10, 10:30 and 11. Admission, with dinner, is $150 (Pareles).
*JOHN ZORN’S MASADA, MARC RIBOT Y LOS CUBANOS POSTIZOS, CYRO BAPTISTA’S BEAT THE DONKEY, Tonic, 107 Norfolk Street, near Delancey Street, Lower East Side, (212) 358-7503. Masada is a collection of 205 klezmer-tinged tunes by John Zorn, who oversees various ensembles that play them, including a quartet that recalls Ornette Coleman’s pianoless lineups. With Joey Baron on drums, Greg Cohen on bass, Dave Douglas on trumpet and Mr. Zorn on alto-saxophone, Masada moves from the pulse of dance music to modal Middle Eastern inflections to Romantic filigree. Less fragmented and more melodic than most of Mr. Zorn’s music, Masada finds connections to Jewish tradition everywhere. The guitarist Marc Ribot started Los Cubanos Postizos to play songs he loved from Cuba in the 1940s and ‘50s, from the repertory of Arsenio Rodriguez; he honors the tunes, but he isn’t afraid to add some downtown clank and down-home twang in his solos. Cyro Baptista is a Brazilian percussionist who is fond of melody and humor as well as rhythm. Mr. Baptista’s “Vira Loucos,” an album that reclaimed and utterly transformed the Brazilian folk tunes once adapted by Heitor Villa-Lobos, featured Mr. Ribot and was produced by Mr. Zorn; they may well collaborate again. The triple bill appears tonight at 6:30, with tickets at $45, and at 10:30, for $65 (including a Champagne toast). Tickets for both shows include admission to Sub-Tonic with the D.J. Toshio Kajiwara (Pareles)