The Pittsburgh Press (August 17, 1944)
Roving Reporter
By Ernie Pyle
On the Western front, France – (by wireless)
The commander of the particular regiment of the 4th Infantry Division that we have been with is one of my favorites.
That’s partly because he flatters me by calling me “General,” partly because just looking at him makes me chuckle to myself, and partly because I think he’s a very fine soldier.
Security forbids my giving his name. He is a Regular Army colonel and he was overseas in the last war. His division commander says the only trouble with him is that he’s too bold, and if he isn’t careful, he’s liable to get clipped one of these days.
He is rather unusual looking. There is something almost Mongolian about his face. When cleaned up he could be a Cossack. When tired and dirty he could be a movie gangster. But either way, his eyes always twinkle.
He has a facility for direct thought that is unusual. He is impatient of thinking that gets off onto byways.
He has a little habit of good-naturedly reprimanding people by cocking his head over to one side, getting his face below yours and saying something sharp, and then looking up at you with a quizzical smirk like a laughing cat.
Jacket fits like a sack
The colonel goes constantly from one battalion to another during battle, from early light till darkness. He wears a new-type field jacket that fits him like a sack, and he carries a long stick that Teddy Roosevelt gave him. He keeps constantly prodding his commanders to push hard, not to let up, to keep driving and driving.
He is impatient with commanders who lose the main point of the war by getting involved in details the main point, of course, being to kill Germans. His philosophy of war is expressed in the simple formula of “shoot the sonsabitches.”
Once I was at a battalion command post when we got word that 60 Germans were coming down the road in a counterattack. Everybody got excited. They called the colonel on a field phone, gave him the details and asked him what to do. He had the solution in a nutshell.
He just said, “Shoot the sonsabitches,” and hung up.
Another of my favorites is a sergeant who runs the colonel’s regimental mess. He cooks some himself, but mostly he bosses the cooking.
His name is Charles J. Murphy and his home is at Trenton, New Jersey. Murph is redheaded, but has his head nearly shaved like practicably all the Western Front soldiers – officers as well as men. Murph is funny, but he seldom smiles.
When I asked him what he did in civilian life, he thought a moment and then said:
Well, I was a shyster. Guess you’d call me a kind of promoter. I always had the kind of job where you made $50 a week salary and $1,500 on the side.
How’s that for an honest man?
Murph and I got to talking about newspapermen one day. Murph said his grandfather was a newspaper man. He retired in old age and lived in Murph’s house.
‘Went nuts reading newspapers’
Murph said:
My grandfather went nuts reading newspapers. It was a phobia with him. Every day he’d buy $1.50 worth of 3-cent newspapers and then read them all night.
He wouldn’t read the ads. He would just read the stories, looking for something to criticize. He’d get fuming mad.
Lots of times when I was a kid, he’d get me out of bed at 2 or 3 in the morning and point to some story in the paper and rave about reporters who didn’t have sense enough to put a period at the end of a sentence.
Murph and I agreed that it was fortunate his grandfather passed on before he got reading my stuff, or he would doubtless have run amuck.
Murph never smoked cigarettes until he landed in France on D-Day, but now he smokes one after another. He is about the tenth soldier who has told me that same thing. A guy in war has to have some outlet for his nerves, and I guess smoking is as good as anything.
All kinds of incongruous things happen during a battle. For instance, during one lull I got my portrait painted in watercolor. The artist sat cross legged on the grass and it took about an hour.
The painter was Pfc. Leon Wall, from Wyoming, Pennsylvania. He went to the National Academy of Design in New York for six years, did research for the Metropolitan Museum and lectured on art at the New York World’s Fair.
Artist Wall is now, of all things, a cook and KP in an infantry regiment mess. He hasn’t done any war paintings at all since the invasion. I asked him why not. He said: “Well, at first I was too scared, and since then I’ve been too busy.”